The Passion Project
2011

The Passion Project is an electrifying work that compresses the Carl Dreyer’s classic silent film The Passion of Joan of Arc into a 40 minute concentration of movement, projection, installation and sound collage.

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Live Art House Party
2011

intrigue. Drawing from international performance festivals and happenings in New York you will see a series of performances that run all night long in the form of film, performance, sound, new media, dance, and theatre all coming from the prairies.

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Ballet
2010 - 2011

Ballet brings into focus current anxieties around food production through an exhibition, video installation and performance that was originally inspired by Cold War instructional films for farmers.

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Haircuts By Children
2010 - 2011

It is a whimsical relational performance that playfully engages with the enfranchisement of children, with trust in the younger generation, and with the thrills and chills of vanity.

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Navigating
2008 - 2011

Navigating is a performance/installation that draws from a trip taken to Ukraine in 2006 shortly after the orange revolution. Material was collected, by Sereda, in the form of photography, audio journaling, and video during in the country’s largest industrial centre, Dnipropretrovsk.

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One + One
December 4, 2010

Through a series of structural improvisations we will witness how image and sound pervade and support space, waiting, setting up, rehearsing a moment with a crew and an actress documenting and interviewing while nature flows in and out; all shadowed by the Black Panthers, and Godard's muse Eve Democracy who is based on the Greek character Echo from the Narcissus myth..

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Ducks On The Moon
2008 - 2010

A remarkably candid, humorous, and raw journey through the early years with a child with atypical autism.

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The Extras
2008

The Extras is a performance/installation recreating a mock film shoot performance of extra scenes shot in Regina woven with the history of extras in the film industry. Using 20 local background performers, crew, cameras, lighting and sound, “The Extras” will explore experiences, stories, and incidences that happened to extras on specific Regina film shoots. As well, the performance will also incorporate local film history as material and material from other texts and films from Hollywood and around the world.

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Laura
MARCH 2007

Eric Metcalfe deconstructs the 1944 film “Laura” by Otto Preminger with a “feminine” context and “romantic narration”, “masculine” colours and material, jazz, letters written and narrated by a woman, turning Laura into a female subject in a masculine mind.

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